The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces

Alan Chamberlain; Mads Bødker; Maria Kallionpää; Richard Ramchurn; David De Roure; Steve Benford; Alan Dix; Hans-Peter Gasselseder

doi:10.1145/3243274.3243314

The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces

Alan Chamberlain, Mads Bødker, Maria Kallionpää, Richard Ramchurn, David De Roure, Steve Benford, Alan Dix, Hans-Peter Gasselseder

Department of Digitalization

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review

Abstract

This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies. Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.

Original language	English
Title of host publication	Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18
Editors	Stuart Cunningham, Richard Picking
Number of pages	4
Place of Publication	New York
Publisher	Association for Computing Machinery
Publication date	2018
Article number	a39
ISBN (Print)	9781450366090
ISBN (Electronic)	9781450366090
DOIs	https://doi.org/10.1145/3243274.3243314
Publication status	Published - 2018
Event	13th International Conference on Augmented and Participatory Sound and Music Experiences. Audio Mostly 2018 - Wrexham Glyndŵr University, Wrexham, United Kingdom Duration: 12 Sept 2018 → 14 Sept 2018 Conference number: 13 http://audiomostly.com/conference-programme-2018/

Conference

Conference	13th International Conference on Augmented and Participatory Sound and Music Experiences. Audio Mostly 2018
Number	13
Location	Wrexham Glyndŵr University
Country/Territory	United Kingdom
City	Wrexham
Period	12/09/2018 → 14/09/2018
Internet address	http://audiomostly.com/conference-programme-2018/

Series	ACM International Conference Proceeding Series

Keywords

Music
Technology
Artificial intelligence
Brain controlled
Interfaces
HCI
NIME
Immersive
Virtual reality
Locative
Art
Design
Agents
Creativity
Performance
Interactive
Ubicomp
IoT
CSCW
Sound
Instruments
Composition
Algorithm

Access to Document

10.1145/3243274.3243314Licence: Unspecified

http://eprints.nottingham.ac.uk/54956/1/Music%20Technology.pdfLicence: Unspecified

Handle.net

Persistent link

Cite this

Chamberlain, A., Bødker, M., Kallionpää, M., Ramchurn, R., De Roure, D., Benford, S., Dix, A., & Gasselseder, H.-P. (2018). The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces. In S. Cunningham, & R. Picking (Eds.), Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18 Article a39 Association for Computing Machinery. https://doi.org/10.1145/3243274.3243314

Chamberlain, Alan ; Bødker, Mads ; Kallionpää, Maria et al. / The Design of Future Music Technologies : 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces. Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18. editor / Stuart Cunningham ; Richard Picking. New York : Association for Computing Machinery, 2018. (ACM International Conference Proceeding Series).

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title = "The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces",

abstract = "This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies. Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.",

keywords = "Music, Technology, Artificial intelligence, Brain controlled, Interfaces, HCI, NIME, Immersive, Virtual reality, Locative, Art, Design, Agents, Creativity, Performance, Interactive, Ubicomp, IoT, CSCW, Sound, Instruments, Composition, Algorithm",

author = "Alan Chamberlain and Mads B{\o}dker and Maria Kallionp{\"a}{\"a} and Richard Ramchurn and {De Roure}, David and Steve Benford and Alan Dix and Hans-Peter Gasselseder",

year = "2018",

doi = "10.1145/3243274.3243314",

language = "English",

isbn = "9781450366090",

series = "ACM International Conference Proceeding Series",

publisher = "Association for Computing Machinery",

editor = "Stuart Cunningham and Richard Picking",

booktitle = "Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18",

address = "United States",

note = "13th International Conference on Augmented and Participatory Sound and Music Experiences. Audio Mostly 2018 ; Conference date: 12-09-2018 Through 14-09-2018",

url = "http://audiomostly.com/conference-programme-2018/",

}

Chamberlain, A, Bødker, M, Kallionpää, M, Ramchurn, R, De Roure, D, Benford, S, Dix, A & Gasselseder, H-P 2018, The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces. in S Cunningham & R Picking (eds), Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18., a39, Association for Computing Machinery, New York, ACM International Conference Proceeding Series, 13th International Conference on Augmented and Participatory Sound and Music Experiences. Audio Mostly 2018, Wrexham, United Kingdom, 12/09/2018. https://doi.org/10.1145/3243274.3243314

The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces. / Chamberlain, Alan; Bødker, Mads; Kallionpää, Maria et al.
Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18. ed. / Stuart Cunningham; Richard Picking. New York: Association for Computing Machinery, 2018. a39 (ACM International Conference Proceeding Series).

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review

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AU - Chamberlain, Alan

AU - Bødker, Mads

AU - Kallionpää, Maria

AU - Ramchurn, Richard

AU - De Roure, David

AU - Benford, Steve

AU - Dix, Alan

AU - Gasselseder, Hans-Peter

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N2 - This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies. Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.

AB - This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies. Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.

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KW - NIME

KW - Immersive

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KW - Locative

KW - Art

KW - Design

KW - Agents

KW - Creativity

KW - Performance

KW - Interactive

KW - Ubicomp

KW - IoT

KW - CSCW

KW - Sound

KW - Instruments

KW - Composition

KW - Algorithm

U2 - 10.1145/3243274.3243314

DO - 10.1145/3243274.3243314

M3 - Article in proceedings

SN - 9781450366090

T3 - ACM International Conference Proceeding Series

BT - Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18

A2 - Cunningham, Stuart

A2 - Picking, Richard

PB - Association for Computing Machinery

CY - New York

Y2 - 12 September 2018 through 14 September 2018

ER -

Chamberlain A, Bødker M, Kallionpää M, Ramchurn R, De Roure D, Benford S et al. The Design of Future Music Technologies: 'Sounding Out' AI, Immersive Experiences & Brain Controlled Interfaces. In Cunningham S, Picking R, editors, Proceedings of the 13th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences. AM'18. New York: Association for Computing Machinery. 2018. a39. (ACM International Conference Proceeding Series). doi: 10.1145/3243274.3243314