TY - JOUR
T1 - How Creative Entrepreneurs Balance Art and Business Before and During a Disruptive Environmental Event
T2 - Approaches of Creators and Creative Sustainers
AU - Angell, Heidi
AU - Waldorff, Susanne Boch
AU - Olsen, Trude Høgvold
N1 - Epub ahead of print. Published online: 10 March 2025.
PY - 2025/3/10
Y1 - 2025/3/10
N2 - This paper examines how creative entrepreneurs manage the interplay of art and business before and during a disruptive envi-ronmental event. While numerous studies have explored the financial impact of the COVID-19 pandemic on the creative indus-tries, our research provides a fresh perspective on how the pandemic influenced creative entrepreneurs' practices. We present ourempirical findings from a study that involved 20 semistructured interviews with creative entrepreneurs in the Norwegian Arctic,conducted twice, that is, before and during the COVID-19 pandemic. Our findings show that the creative entrepreneurs initiallybalanced the aesthetic and market logics similarly. However, when COVID-19 struck, the creators and creative sustainers rebal-anced the logics of aesthetics and the market in distinct ways. These findings contribute to the literature on creative entrepre-neurship in different ways: First, we refine the concept of creative entrepreneurs by noting that creators and creative sustainers,due to their distinct institutional contexts, interpret societal disruptions differently. Second, we expand on the skills needed increative entrepreneurship, explaining how the actors quickly adjust and rebalance institutional logics during an environmentaldisruption. The study provides practitioners with a clearer framework for navigating disruptions, emphasising the importance ofadaptability in business strategies and the need to uphold artistic integrity while also addressing market demands.
AB - This paper examines how creative entrepreneurs manage the interplay of art and business before and during a disruptive envi-ronmental event. While numerous studies have explored the financial impact of the COVID-19 pandemic on the creative indus-tries, our research provides a fresh perspective on how the pandemic influenced creative entrepreneurs' practices. We present ourempirical findings from a study that involved 20 semistructured interviews with creative entrepreneurs in the Norwegian Arctic,conducted twice, that is, before and during the COVID-19 pandemic. Our findings show that the creative entrepreneurs initiallybalanced the aesthetic and market logics similarly. However, when COVID-19 struck, the creators and creative sustainers rebal-anced the logics of aesthetics and the market in distinct ways. These findings contribute to the literature on creative entrepre-neurship in different ways: First, we refine the concept of creative entrepreneurs by noting that creators and creative sustainers,due to their distinct institutional contexts, interpret societal disruptions differently. Second, we expand on the skills needed increative entrepreneurship, explaining how the actors quickly adjust and rebalance institutional logics during an environmentaldisruption. The study provides practitioners with a clearer framework for navigating disruptions, emphasising the importance ofadaptability in business strategies and the need to uphold artistic integrity while also addressing market demands.
KW - Aesthetics logic
KW - Creative entrepreneurship
KW - Creative industries
KW - Institutional contexts
KW - Institutional logics
KW - Jolt
KW - Market logic
KW - Aesthetics logic
KW - Creative entrepreneurship
KW - Creative industries
KW - Institutional contexts
KW - Institutional logics
KW - Jolt
KW - Market logic
U2 - 10.1111/caim.12659
DO - 10.1111/caim.12659
M3 - Journal article
SN - 0963-1690
JO - Creativity and Innovation Management
JF - Creativity and Innovation Management
ER -