In this essay, I wish to examine the relation between body, movement and costume in Chinese martial arts film. I propose to see fight choreography as dance, and I rush to say that this is a totally unoriginal claim on my part; practically any book or commentary on the martial arts genre will use the word dance, either literally or evocatively.
|Status||Udgivet - 2008|
|Navn||Creative Encounters Working Paper|
Skov, L. (2008). The Simultaneous Success and Disappearance of Hong Kong Martial Arts Film: Analysed through costume and movement in 'Crouching Tiger, Hidden Dragon'. imagine.. CBS. Creative Encounters Working Paper, Nr. 11