Abstract
This paper examines how creative entrepreneurs manage the interplay of art and business before and during a disruptive envi-ronmental event. While numerous studies have explored the financial impact of the COVID-19 pandemic on the creative indus-tries, our research provides a fresh perspective on how the pandemic influenced creative entrepreneurs' practices. We present ourempirical findings from a study that involved 20 semistructured interviews with creative entrepreneurs in the Norwegian Arctic,conducted twice, that is, before and during the COVID-19 pandemic. Our findings show that the creative entrepreneurs initiallybalanced the aesthetic and market logics similarly. However, when COVID-19 struck, the creators and creative sustainers rebal-anced the logics of aesthetics and the market in distinct ways. These findings contribute to the literature on creative entrepre-neurship in different ways: First, we refine the concept of creative entrepreneurs by noting that creators and creative sustainers,due to their distinct institutional contexts, interpret societal disruptions differently. Second, we expand on the skills needed increative entrepreneurship, explaining how the actors quickly adjust and rebalance institutional logics during an environmentaldisruption. The study provides practitioners with a clearer framework for navigating disruptions, emphasising the importance ofadaptability in business strategies and the need to uphold artistic integrity while also addressing market demands.
| Originalsprog | Engelsk |
|---|---|
| Tidsskrift | Creativity and Innovation Management |
| Vol/bind | 34 |
| Udgave nummer | 3 |
| Sider (fra-til) | 632-649 |
| Antal sider | 18 |
| ISSN | 0963-1690 |
| DOI | |
| Status | Udgivet - sep. 2025 |
Bibliografisk note
Published online: 10 March 2025.Emneord
- Aesthetics logic
- Creative entrepreneurship
- Creative industries
- Institutional contexts
- Institutional logics
- Jolt
- Market logic
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