Genres and Inequality in the Creative Industries

Ana Alacovska*, Dave O’Brien

*Corresponding author af dette arbejde

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningpeer review

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Abstrakt

Genres organize and facilitate cultural, creative and media production and consumption but are rarely central categories in extant research on creative industries. With this editorial article, we aim to reassert, reassess and revisit the salience of genres for understanding inequalities in the cultural and creative industries. We argue that genres, as classificatory devices, structure and order a gendered and racialized division of labour and occupational practice. Genres sanction what is and what is not aesthetically and ethically appropriate to do and think within specific textual categories and, hence also, within genre-specific production cultures. Genres draw boundaries, shaping and normalizing the gendered and racialized professional values and norms that underpin unequal patterns of access, distinction and career advancement within creative occupations. Cultural producers, in turn, are compelled to forge professional genre identities at the same time as constantly having to negotiate their gender and racial fitness to work and prosper in specific categories of cultural production. The contributions to this special issue elucidate, through a plethora of methodological and theoretical approaches, the links between genres and persisting inequalities across the book, screen and music industries.
OriginalsprogEngelsk
TidsskriftEuropean Journal of Cultural Studies
Vol/bind24
Udgave nummer3
Sider (fra-til)639-657
Antal sider19
ISSN1367-5494
DOI
StatusUdgivet - jun. 2021

Bibliografisk note

Published online: 28 Apr 2021.

Emneord

  • Creative idustries
  • Creative work
  • Cultural labour
  • Cultural production
  • Discrimination
  • Gender
  • Genre
  • Race
  • Social inequality

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