Consumer Work and Agency in the Analog Revival

Michael B. Beverland*, Karen V. Fernandez, Giana M. Eckhardt

*Corresponding author af dette arbejde

Publikation: Bidrag til tidsskriftTidsskriftartikelForskningpeer review

Abstract

Why do consumers choose difficult analog technologies over their labor-saving digital counterparts? Through ethnographic investigations of three once defunct analog technologies that have experienced a resurgence (vinyl music, film photography and analog synthesizers), we explore how the act of consumer work enables consumers to experience shifting dimensions of agency. We utilize the theoretical lens of serious leisure to introduce a four-stage work process (novice, apprentice, craft and design) in which the experience of agency is dependent on the shifting relations between user, object, and context. The four stages are cumulative and conjunctive, representing the development of skills towards mastery while also being connected via three transition mechanisms (contextualization, schematization, and hypothesization) that address agency–alienation tensions. The transition through these mechanisms is necessary to sustain emotional engagement in consumer work. Our contribution lies in demonstrating the myriad of ways in which consumer work as serious leisure generates different experiences of agency and alienation and the ways in which consumers can sustain engagement in their work.
OriginalsprogEngelsk
Artikelnummerucae003
TidsskriftJournal of Consumer Research
Antal sider67
ISSN0093-5301
DOI
StatusUdgivet - 19 jan. 2024

Bibliografisk note

Accepted manuscript published online:19 January 2024

Emneord

  • Consumer work
  • Consumer agency
  • Consumer alienation
  • Analog revival

Citationsformater